Program Back Inside:
Furu ike ya
mizu no oto
Cast of Characters:
Stage Directions: All audience members, with assurances that they will never be sold or used for commercial purposes, are encouraged to provide the performer(s) with their mobile phone numbers prior to the performance in order to achieve maximum effect.
444:66:8:666: 8:44:33: 2:66:222:444:33:66:8: 7:666:66:3:
2: 333:777:666:4: 5:88:6:7:7777:
22:777:33:2:55:444:66:4: 8:44:33: 7777:444:555:33:66:222:33:
666:333: 2:66: 2:66:222:444:33:66:8: 7:666:66:3[,]
2: 333:777:666:4: 5:88:6:7:33:3: 444:66:8:666: 9:2:8:33:777 [—]
2: 3:33:33:7: 777:33:7777:666:66:2:66:222:33[.]
8:44:33: 666:555:3: 7:666:66:3: [—]
2: 333:777:666:4: 555:33:2:7:7777: 444:66[,]
2:66:3: 2: 7777:7:555:2:7777:44[.]
Travis Macdonald keeps his back to advertising and his eyes on Sallie Mae and her hungry dogs. When the dogs are sleeping or distracted, he sometimes manages to make words do his bidding. His work has appeared in or is forthcoming from The American Drivel Review, Anemone Sidecar, The Bathroom, Bombay Gin, Columbia Poetry Review, CounterExample Poetics, Court Green, Cricket Online Review, Ditch, e-ratio, Hot Whiskey, Jacket, Matter, Misunderstandings, Other Rooms, Otoliths, Source Material, WE magazine, Wheelhouse, and elsewhere. In his spare time, he co-edits Fact-Simile Editions in Santa Fe, New Mexico.